Samstag, 22. Dezember 2012
Chewing Gum for the Social Body
by Patrick Staff
presented at The Tanks at Tate Modern on 26th October 2012
Chewing Gum for the Social Body is a new performance by Patrick Staff for The Tanks using live video, projection and sound-mapping. The performance continues the artist’s interest in the investigation of the political, physical and material implications of social spaces, collectively produced film and video and improvised dance. Working closely with a group of performers in workshops, the performance initiates a ‘collapsed’ use of equipment; the dancers performing for, with and against the cameras, sound and projection. Chewing Gum for the Social Body interrogates what is produced and reproduced amongst a group working together and the spatial and performative limits of production, reproduction, image and documentation. This interrogation is ultimately underpinned by questioning togetherness in the present political moment and what energy can be sustained in shared spaces of action and struggle.
without respect but with love
'Contemporary dance acknowledges, even 'rehearses', the heritage of the 1960s' - Rudi Laermans
'... without respect but with love.' - Thomas Hirschhorn
presented as part of Agony Art at Chisenhale Dance Space on 23rd November 2012
created by Stella Dimitrakopoulou and
performed with Nina Alexopoulou and Antje Hildebrandt
B) Party
by Stella Dimitrakopoulou
presented at Smash Lab VII at The Book Club on 6th November 2012
Performers: Amanda Prince-Lubawy, Antje Hildebrandt, Dominique Vannod, Don E More, Else Tunemyr, Dr Jonny Blamey, Kuo-Chieh Liang, Mark Carrbery, Michelangelo Miccolis, Nina Alexopoulou, Robert Cook
Screen Test
Screen Test is a rehearsal for a performance that will never be fully seen.
Screen Test is a piece about process and production.
Screen Test asks questions about performance’s construction and
disappearance.
Screen Test is a document; a prove that something happened.
Screen Test is a performance that is somehow absent.
Screen Test wants to be present but can only fail.
Screen Test wants to be (a)live.
Screen Test is nothing but an incomplete fragment.
Screen Test is testing conceptions of time and place in the
theatre.
Screen Test was, is and will be choreography.
presented at Performing Arts Postgraduate Performance Series, The Performance Hub, University of Wolverhampton (Walsall) on 4th October 2012
Concept, Choreography and Video: Antje Hildebrandt
Choreography and Performance: Stephanie McMann and
Clarissa Sacchelli
Dramaturgical Advice: Elena Koukoli and Stella Dimitrakopoulou
Dramaturgical Advice: Elena Koukoli and Stella Dimitrakopoulou
Technician: Patrick Tulloch
Labels:
Collaborations,
Research,
Solo Practice
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